1 00:00:24,825 --> 00:00:25,814 OK? 2 00:00:29,505 --> 00:00:30,460 OK. 3 00:00:30,545 --> 00:00:32,695 - OK? - Yeah, l'll start again. 4 00:00:32,785 --> 00:00:34,776 Same slate still running. 5 00:00:34,865 --> 00:00:35,900 Cutthroat. 6 00:00:35,985 --> 00:00:40,297 Keep running. lt'll get better. Start all over again. Same slate. 7 00:00:44,225 --> 00:00:46,739 OK, Rick, what's the game? 8 00:00:46,825 --> 00:00:48,577 - Cutthroat. - The object is? 9 00:00:48,665 --> 00:00:53,785 The object is to keep your balls on the table and knock everybody else's off. 10 00:00:57,665 --> 00:01:00,990 (cheering) 11 00:01:00,185 --> 00:01:01,857 (clapping) 12 00:01:13,705 --> 00:01:15,696 You're still there, huh? 13 00:01:19,945 --> 00:01:22,664 We're gonna do one more song and that's it. 14 00:01:37,705 --> 00:01:39,696 All right. 15 00:01:44,650 --> 00:01:45,737 And happy Thanksgiving. 16 00:01:45,825 --> 00:01:47,781 (' ''Don't Do lt'') 17 00:02:17,465 --> 00:02:19,456 ' Well, baby, don't you do it 18 00:02:21,345 --> 00:02:23,495 ' Don't do it 19 00:02:23,585 --> 00:02:26,657 ' Don't you break my heart 20 00:02:26,745 --> 00:02:31,899 ' Please, don't do it, don't you break my heart 21 00:02:34,105 --> 00:02:37,170 ' My biggest mistake was loving you too much 22 00:02:38,185 --> 00:02:40,176 ' And letting ya know 23 00:02:40,865 --> 00:02:43,743 ' Now you got me where you want me 24 00:02:43,825 --> 00:02:45,816 ' And you won't let me go 25 00:02:46,345 --> 00:02:48,939 ' lf my heart was made of glass 26 00:02:49,745 --> 00:02:51,975 ' Well, then you'd surely see 27 00:02:53,545 --> 00:02:56,105 ' Heartaches and misery 28 00:02:56,185 --> 00:02:58,176 ' You been causin' me 29 00:02:58,265 --> 00:03:01,177 ' And l been trying to do my best 30 00:03:01,785 --> 00:03:04,424 ' You know l try to do my best 31 00:03:05,265 --> 00:03:07,256 ' Don't do it 32 00:03:07,345 --> 00:03:09,336 ' Don't you break my heart 33 00:03:10,665 --> 00:03:13,498 ' Please don't do it 34 00:03:13,585 --> 00:03:15,576 ' Don't you break my heart 35 00:03:46,985 --> 00:03:48,862 (cheering) 36 00:03:48,945 --> 00:03:51,300 - Thank you very much. - Thank you. 37 00:03:52,185 --> 00:03:54,176 Good night. Goodbye. 38 00:04:07,625 --> 00:04:09,456 (' ''Theme from The Last Waltz'') 39 00:06:14,465 --> 00:06:17,980 (Robertson) OK, look. We've been together 16 years. 40 00:06:18,650 --> 00:06:20,215 - (Martin Scorsese) Who? - Who? 41 00:06:20,545 --> 00:06:22,536 The Band. 42 00:06:23,505 --> 00:06:26,338 - You want me to plug that in? - Let's do it again. 43 00:06:26,425 --> 00:06:29,497 The Band has been together 16 years. 44 00:06:29,585 --> 00:06:31,382 Together on the road. 45 00:06:31,465 --> 00:06:34,582 We did eight years in bars, dives, dance halls. 46 00:06:34,665 --> 00:06:37,702 Eight years of concerts and stadiums, arenas. 47 00:06:37,785 --> 00:06:40,936 We gave our final concert, The Band's final concert, 48 00:06:41,250 --> 00:06:42,777 and we called it The Last Waltz. 49 00:06:42,865 --> 00:06:46,540 Why was it held in San Francisco, in Winterland, 50 00:06:46,625 --> 00:06:49,264 when you guys have been on the road for 16 years? 51 00:06:49,345 --> 00:06:53,782 Winterland was the first place that the band played as The Band. 52 00:06:53,865 --> 00:06:56,698 Some friends showed up and helped us take it home. 53 00:06:56,785 --> 00:07:00,610 Not just friends. They're more than that. 54 00:07:00,145 --> 00:07:02,978 Would you ask me that again? 55 00:07:03,650 --> 00:07:08,458 They weren't just friends. They weren't just friends who came in to say hello. 56 00:07:08,545 --> 00:07:10,536 You know what l mean? Get that fly! 57 00:07:12,465 --> 00:07:15,590 No. They were more than just friends. 58 00:07:15,145 --> 00:07:18,230 l feel they're probably 59 00:07:18,105 --> 00:07:22,303 some of the greatest influences on music on a whole generation. 60 00:07:23,250 --> 00:07:27,940 We wanted it to be more than just a concert. We wanted it to be a celebration. 61 00:07:28,250 --> 00:07:30,610 Celebration of a beginning or an end? 62 00:07:30,145 --> 00:07:33,376 Beginning of the beginning of the end of the beginning. 63 00:07:35,425 --> 00:07:37,734 - (Levon Helm) Good evening. - (cheering) 64 00:07:48,785 --> 00:07:50,776 (' ''Up on Cripple Creek'') 65 00:07:56,465 --> 00:07:59,298 ' When l get off of this mountain 66 00:07:59,985 --> 00:08:01,976 ' You know where l wanna go? 67 00:08:03,945 --> 00:08:09,190 ' Straight down the Mississippi river to the Gulf of Mexico 68 00:08:10,345 --> 00:08:12,939 ' To Lake Charles, Louisiana 69 00:08:13,505 --> 00:08:16,303 ' Little Bessie, girl that l once knew 70 00:08:17,985 --> 00:08:23,590 ' She told me just to come on by if there's anything she could do 71 00:08:24,625 --> 00:08:28,950 ' up on Cripple Creek she sends me 72 00:08:28,185 --> 00:08:31,495 ' lf l spring a leak, she mends me 73 00:08:31,585 --> 00:08:34,577 ' l don't have to speak, she defends me 74 00:08:34,665 --> 00:08:38,544 ' A drunkard's dream if l ever did see one 75 00:08:41,385 --> 00:08:44,775 ' Well, now me and my mate were back at the shack 76 00:08:44,865 --> 00:08:47,220 ' We had Spike Jones on the box 77 00:08:49,650 --> 00:08:54,219 ' She said ''l can't take the way he sings but l love to hear him talk'' 78 00:08:55,625 --> 00:09:01,495 ' Now there's one thing in the whole wide world l sure do love to see 79 00:09:02,945 --> 00:09:08,990 ' That's how that little sweet thing of mine puts her doughnut in my tea 80 00:09:09,650 --> 00:09:12,944 ' l'm going up on Cripple Creek, she sends me 81 00:09:13,250 --> 00:09:16,415 ' lf l spring a leak, she mends me 82 00:09:16,505 --> 00:09:19,702 ' l don't have to speak, she defends me 83 00:09:19,785 --> 00:09:23,380 ' A drunkard's dream, if l ever did see one 84 00:09:26,705 --> 00:09:32,655 ' There's a flood out in California and up north it's freezing cold 85 00:09:33,945 --> 00:09:38,780 ' And this living off of the road is getting pretty old 86 00:09:39,865 --> 00:09:43,335 ' So l guess l'll call up my big mama 87 00:09:43,425 --> 00:09:46,640 ' And tell her l'll be rolling in 88 00:09:47,665 --> 00:09:50,782 ' But you know, deep down, l'm sort of tempted 89 00:09:50,865 --> 00:09:53,254 ' To go and see my Bessie again 90 00:09:53,825 --> 00:09:58,570 ' l'm going up on Cripple Creek, she sends me 91 00:09:58,145 --> 00:10:01,376 ' lf l spring a leak, she mends me 92 00:10:01,465 --> 00:10:04,696 ' l don't have to speak, she defends me 93 00:10:04,785 --> 00:10:08,380 ' A drunkard's dream if l ever did see one 94 00:10:15,825 --> 00:10:18,544 ' Oh, no, oooh-oooh-oooh 95 00:10:18,625 --> 00:10:20,855 ' Yodel yodel yodel oooh-oooh 96 00:10:22,585 --> 00:10:25,179 ' Oh, no, oooh-oooh-oooh 97 00:10:25,265 --> 00:10:28,575 ' Yodel yodel yodel oooh-oooh 98 00:10:29,345 --> 00:10:31,984 ' Oh, no, no, no, no 99 00:10:32,650 --> 00:10:35,375 ' Yodel yodel yodel oooh-oooh 100 00:10:35,985 --> 00:10:38,135 ' Oh, no, oooh-oooh-oooh 101 00:10:38,825 --> 00:10:40,861 ' Yodel yodel yodel oooh-oooh 102 00:10:40,945 --> 00:10:44,381 ' Yeah, yeah, you know, l sure wish l could yodel, l know 103 00:10:44,465 --> 00:10:47,298 ' Yodely, yodely, yodely-oh 104 00:10:47,385 --> 00:10:50,343 ' Yodel yodel yodel oooh-oooh 105 00:10:51,385 --> 00:10:53,615 ' Oh, no, oooh-oooh-oooh 106 00:10:54,145 --> 00:10:56,784 ' Yodel yodel yodel oooh 107 00:10:58,865 --> 00:11:00,856 (cheering) 108 00:11:12,865 --> 00:11:17,655 lt was kind of... We didn't know where we were going, we didn't know what it was. 109 00:11:18,505 --> 00:11:21,656 But, for some reason, it seemed like a good idea. 110 00:11:22,305 --> 00:11:26,742 We got to this place, a joint, in Fort Worth, Texas. 111 00:11:27,345 --> 00:11:31,623 lt was burned out, bombed out. The roof wasn't even on the place any more. 112 00:11:31,705 --> 00:11:35,254 And that's when they decided to call it the Skyline Lounge. 113 00:11:35,345 --> 00:11:38,735 And we got there and set up and... A big place. 114 00:11:39,265 --> 00:11:43,178 Huge. Bar, way at the back and a big dance floor. 115 00:11:44,305 --> 00:11:47,240 - Real old. - So we set up the first night. 116 00:11:47,105 --> 00:11:49,460 We go down to the place to play. 117 00:11:50,545 --> 00:11:55,221 We go in and, in this huge place, there's about three people in the audience. 118 00:11:56,465 --> 00:11:59,377 A one-armed go-go dancer 119 00:11:59,465 --> 00:12:01,535 and a couple of drunk waiters. 120 00:12:02,250 --> 00:12:05,142 - A couple here, a couple there. - Somebody fires a tear gas... 121 00:12:05,225 --> 00:12:07,216 And a fight starts. 122 00:12:08,505 --> 00:12:11,383 There isn't enough people in the place to get angry. 123 00:12:11,785 --> 00:12:16,170 And we found out a few years later that it was Jack Ruby's club. 124 00:12:19,650 --> 00:12:21,560 (' ''The Shape l'm ln'') 125 00:12:32,425 --> 00:12:36,134 ' Go out yonder, peace in the valley 126 00:12:36,225 --> 00:12:39,695 ' Come downtown, have to rumble in the alley 127 00:12:39,785 --> 00:12:44,630 ' Oh, you don't know the shape l'm in 128 00:12:48,250 --> 00:12:51,540 ' Has anybody seen my lady? 129 00:12:51,625 --> 00:12:54,776 ' This living alone will drive me crazy 130 00:12:54,865 --> 00:12:59,222 ' Oh, you don't know the shape l'm in 131 00:13:03,250 --> 00:13:06,222 ' l just been down by the water 132 00:13:06,865 --> 00:13:09,538 ' But l ain't gonna jump in, no, no 133 00:13:10,545 --> 00:13:13,662 ' l'll just be looking for my maker 134 00:13:14,265 --> 00:13:17,575 ' And l hear that's where she's gone? Oh! 135 00:13:17,665 --> 00:13:20,896 ' Out of nine lives, l spent seven 136 00:13:21,505 --> 00:13:25,100 ' Now how in the world do you get to heaven? 137 00:13:25,185 --> 00:13:29,303 ' Oh, you don't know the shape l'm in 138 00:14:10,785 --> 00:14:14,334 ' Well, l just spent 60 days in the jailhouse 139 00:14:14,425 --> 00:14:17,980 ' For the crime of having no dough 140 00:14:18,225 --> 00:14:21,820 ' Now here l am back out on the street 141 00:14:21,905 --> 00:14:25,420 ' For the crime of having nowhere to go 142 00:14:25,505 --> 00:14:28,656 ' Save your neck or save your brother 143 00:14:29,345 --> 00:14:32,655 ' Looks like it's one or the other 144 00:14:32,745 --> 00:14:37,136 ' Oh, you don't know the shape l'm in 145 00:15:06,505 --> 00:15:12,580 16 years ago, when we started, we started with a guy you might have heard of. 146 00:15:14,345 --> 00:15:17,462 We'd like to start with him. The Hawk! Ronnie Hawkins! 147 00:15:17,545 --> 00:15:20,457 He called me up and l said 148 00:15:21,305 --> 00:15:24,342 ''Sure l'd like a job. What does it mean? What do l do?'' 149 00:15:24,985 --> 00:15:29,456 He said ''You won't make much money but you'll get more pussy than Sinatra.'' 150 00:15:36,250 --> 00:15:38,414 ' Bo Diddley, Bo Diddley, have you heard? 151 00:15:38,505 --> 00:15:41,990 ' Baby's gonna buy me a mockingbird 152 00:15:41,185 --> 00:15:43,301 (' ''Who Do You Love?'') 153 00:15:47,865 --> 00:15:49,423 Whooooo! 154 00:15:49,505 --> 00:15:52,622 Big time, Bill! Big time! Big time! 155 00:16:03,465 --> 00:16:08,610 ' l walked 47 miles of barbed wire, use a cobra snake for a necktie 156 00:16:08,145 --> 00:16:12,457 ' Got a brand-new house on the roadside, made from rattlesnake hide 157 00:16:12,545 --> 00:16:16,823 ' Got a brand-new chimney made on top, made from a human skull 158 00:16:17,305 --> 00:16:21,617 ' Come on, Robbie, let's take a little walk, tell me who do you love? 159 00:16:21,705 --> 00:16:23,580 ' Who do you love? 160 00:16:23,865 --> 00:16:25,856 ' Who do you love? 161 00:16:26,225 --> 00:16:27,419 ' Who do you love? 162 00:16:32,945 --> 00:16:37,302 ' Arlene took me by the hand, says ''Who are you, Ricky? l understand'' 163 00:16:37,385 --> 00:16:38,818 ' Who do you love? 164 00:16:39,745 --> 00:16:41,144 ' Who do you love? 165 00:16:41,865 --> 00:16:43,139 ' Who do you love? 166 00:16:44,105 --> 00:16:45,857 ' Who do you love? 167 00:16:46,465 --> 00:16:48,421 Argh! 168 00:16:48,505 --> 00:16:50,575 Arrrgh! 169 00:16:50,665 --> 00:16:52,576 Arrrrrrgh! 170 00:16:52,945 --> 00:16:54,458 Arrggghhh! 171 00:17:11,705 --> 00:17:13,696 Come on, Robbie! 172 00:17:26,250 --> 00:17:28,220 ' l got a tombstone hand and a graveyard mind 173 00:17:28,305 --> 00:17:30,694 ' l've turned 41, l don't mind dyin' 174 00:17:30,785 --> 00:17:32,343 ' Who do you love? 175 00:17:33,250 --> 00:17:34,458 ' Who do you love? 176 00:17:35,225 --> 00:17:36,783 ' Who do you love? 177 00:17:37,265 --> 00:17:39,170 ' Who do you love? 178 00:17:43,745 --> 00:17:46,259 ' l ride around the county and use a rattlesnake whip 179 00:17:46,345 --> 00:17:48,540 ' Take it easy, Garth, don't you give me no lip 180 00:17:48,625 --> 00:17:49,660 ' Who do you love? 181 00:17:50,625 --> 00:17:52,104 ' Who do you love? 182 00:17:52,825 --> 00:17:54,338 ' Who do you love? 183 00:17:55,225 --> 00:17:56,544 ' Who do you love? 184 00:18:05,785 --> 00:18:08,150 ' The night was black and the night was blue 185 00:18:08,105 --> 00:18:10,960 ' Round the corner an ice wagon flew 186 00:18:10,185 --> 00:18:14,736 ' Bump was hit and somebody screamed, you shoulda heard just what l seen 187 00:18:14,825 --> 00:18:16,530 ' Who do you love? 188 00:18:16,905 --> 00:18:18,224 ' Who do you love? 189 00:18:19,650 --> 00:18:20,544 ' Who do you love? 190 00:18:21,145 --> 00:18:22,783 ' Who do you love? 191 00:18:23,505 --> 00:18:25,541 Argh! 192 00:18:25,625 --> 00:18:27,581 Arrrgh! 193 00:18:27,865 --> 00:18:29,930 Arrrrrrgh! 194 00:18:30,105 --> 00:18:31,299 Arrrggghhh! 195 00:19:23,905 --> 00:19:25,896 Thank you, Ronnie! 196 00:19:27,345 --> 00:19:28,334 The Hawk! 197 00:19:29,865 --> 00:19:33,460 And the week went on and it was a little depressing. 198 00:19:34,425 --> 00:19:39,943 And it was especially depressing cos we didn't have any money at all. No dough. 199 00:19:40,250 --> 00:19:42,664 (Danko) At one point, we had no more food money. 200 00:19:42,745 --> 00:19:46,738 lt got to the point where, coming from Canada, we had these overcoats, 201 00:19:46,825 --> 00:19:50,864 big overcoats with pockets and everything, and we had a little routine. 202 00:19:50,945 --> 00:19:54,381 We'd go to the shopping centre, all together. 203 00:19:54,465 --> 00:19:59,950 - But l stayed home, right? - No, you didn't. 204 00:19:59,185 --> 00:20:00,300 l got the cigarettes. 205 00:20:00,385 --> 00:20:05,539 l turned the cigarette machine upside down and got everybody some cigarettes. 206 00:20:05,625 --> 00:20:09,538 - Yeah, but that was on the... - You got me some baloney. 207 00:20:09,625 --> 00:20:11,980 We'd go to the supermarket 208 00:20:12,650 --> 00:20:17,901 and a couple of people would buy a couple of loaves of bread, 209 00:20:17,985 --> 00:20:21,455 cos that was about the cheapest thing you could get. 210 00:20:21,545 --> 00:20:25,902 And the rest of us would be carousing the aisles, stuffing baloney. 211 00:20:26,705 --> 00:20:30,220 lt'd be time to leave, the guy with the loaves would go to the checkout 212 00:20:30,305 --> 00:20:33,854 and we'd say ''We'll meet you at the car. You take the bread out.'' 213 00:20:33,945 --> 00:20:36,379 - Ya'll come back! - And with these overcoats... 214 00:20:36,465 --> 00:20:38,456 (' ''lt Makes No Difference'') 215 00:20:50,305 --> 00:20:55,823 ' And it makes no difference where l turn 216 00:20:57,585 --> 00:21:02,261 ' l can't get over you and the flame still burns 217 00:21:04,705 --> 00:21:10,180 ' And it makes no difference, night or day 218 00:21:11,905 --> 00:21:16,421 ' The shadow never seems to fade away 219 00:21:17,625 --> 00:21:28,581 ' And the sun don't shine any more 220 00:21:32,145 --> 00:21:43,101 ' And the rains fall down on my door 221 00:21:47,945 --> 00:21:50,505 ' Well, these old love letters 222 00:21:51,905 --> 00:21:53,896 ' Well, l just can't keep them 223 00:21:55,585 --> 00:21:57,735 ' Cos, like the gambler says 224 00:21:58,665 --> 00:22:01,540 ' Read 'em and weep 225 00:22:01,145 --> 00:22:10,178 ' And the dawn don't rescue me no more 226 00:22:17,650 --> 00:22:23,254 ' Without your love l have nothing at all 227 00:22:24,465 --> 00:22:29,619 ' Like an empty hall, it's a lonely fall 228 00:22:31,625 --> 00:22:38,258 ' Since you've been gone, it's a losing battle 229 00:22:39,625 --> 00:22:48,863 ' Stampeding cattle they rattle the walls 230 00:22:48,945 --> 00:23:00,950 ' And the sun don't shine any more 231 00:23:03,745 --> 00:23:15,540 ' And the rains fall down on my door 232 00:23:19,945 --> 00:23:22,584 ' Well, l love you so much 233 00:23:24,250 --> 00:23:26,950 ' And it's all l can do 234 00:23:27,425 --> 00:23:33,500 ' Just to keep myself from telling you 235 00:23:33,585 --> 00:23:44,974 ' That l never felt so alone before 236 00:25:07,945 --> 00:25:09,940 (cheering) 237 00:25:11,425 --> 00:25:15,304 Hath in the Ram his halfe cours yronne, 238 00:25:16,650 --> 00:25:19,182 And smale foweles maken melodye, 239 00:25:19,265 --> 00:25:21,984 That slepen al the nyght with open eye- 240 00:25:22,650 --> 00:25:25,899 So priketh hem Nature in hir corages; 241 00:25:25,985 --> 00:25:29,341 Thanne longen folk to goon on pilgrimages 242 00:25:29,425 --> 00:25:32,701 To ferne halwes, kowthe in sondry londes; 243 00:25:32,785 --> 00:25:35,424 And specially from every shires ende 244 00:25:35,505 --> 00:25:38,622 Of Engelond, to Caunterbury they wende, 245 00:25:38,705 --> 00:25:42,175 The hooly blisful martir for the seke 246 00:25:42,265 --> 00:25:45,630 That hem hath holpen, whan that they were seeke 247 00:25:47,145 --> 00:25:49,295 Michael McClure! 248 00:25:49,625 --> 00:25:51,502 (applause) 249 00:25:52,185 --> 00:25:54,141 You all know Doctor John? 250 00:25:54,225 --> 00:25:56,216 Mac Rebennack. Come on, Mac. 251 00:25:56,305 --> 00:25:58,296 (cheering) 252 00:26:06,625 --> 00:26:09,423 ln thankfulness to The Band and all the fellas. 253 00:26:09,505 --> 00:26:11,416 Two, three, four, one... 254 00:26:11,505 --> 00:26:13,894 (' ''Such A Night'') 255 00:26:13,985 --> 00:26:14,974 ' Such a night 256 00:26:18,225 --> 00:26:19,214 ' Such a night 257 00:26:22,745 --> 00:26:24,736 ' Sweet confusion 258 00:26:26,345 --> 00:26:28,336 ' under the moonlight 259 00:26:30,425 --> 00:26:31,414 ' Such a night 260 00:26:34,665 --> 00:26:35,541 ' Such a night 261 00:26:38,985 --> 00:26:40,976 ' Got to steal away 262 00:26:42,585 --> 00:26:44,576 ' The time seems right 263 00:26:46,665 --> 00:26:48,656 ' When your eyes met mine 264 00:26:50,745 --> 00:26:52,736 ' At a glance 265 00:26:54,905 --> 00:26:57,214 ' You let me know 266 00:26:57,305 --> 00:26:59,296 ' This was my chance 267 00:27:01,105 --> 00:27:03,960 ' You came in with my best friend Jim 268 00:27:04,305 --> 00:27:08,457 ' See l aim da-da-da to steal you away from him 269 00:27:08,545 --> 00:27:13,665 ' Oh, baby, if l don't do it, somebody else will 270 00:27:14,185 --> 00:27:17,780 ' lf l don't do it, somebody else will 271 00:27:18,345 --> 00:27:21,894 ' lf l don't do it, somebody else will 272 00:27:22,505 --> 00:27:26,134 ' lf l don't do it, somebody else will 273 00:27:27,465 --> 00:27:28,454 ' Such a night 274 00:27:31,505 --> 00:27:32,733 ' Such a night 275 00:27:35,985 --> 00:27:37,976 ' Sweet confusion 276 00:27:39,305 --> 00:27:41,296 ' under the moonlight 277 00:27:43,665 --> 00:27:44,654 ' Such a night 278 00:27:47,265 --> 00:27:48,254 ' Such a night 279 00:27:51,625 --> 00:27:53,616 ' Got to steal away 280 00:27:55,585 --> 00:27:57,576 ' The time seems right 281 00:27:59,385 --> 00:28:01,376 ' Baby, l couldn't believe my ears 282 00:28:03,545 --> 00:28:05,581 ' My heart just skipped a little beat 283 00:28:07,385 --> 00:28:09,694 ' You told me we could slip away 284 00:28:10,305 --> 00:28:13,103 ' Down the dark end of the street 285 00:28:13,185 --> 00:28:15,904 ' Baby, you came in with my best friend Jim 286 00:28:17,385 --> 00:28:22,334 ' See, l aim da-da-da to steal you away from him, baby 287 00:28:22,425 --> 00:28:26,100 ' lf l don't do it, somebody else will 288 00:28:26,625 --> 00:28:30,618 ' lf l don't do it, you know somebody else will 289 00:28:30,705 --> 00:28:34,459 ' lf l don't do it, somebody else will 290 00:28:35,650 --> 00:28:38,660 ' lf l don't do it, somebody else will 291 00:28:57,785 --> 00:28:58,661 Hey! 292 00:29:09,545 --> 00:29:11,536 The Doctor! 293 00:29:21,545 --> 00:29:22,898 Everybody knows him. 294 00:29:24,905 --> 00:29:26,896 You know this guy, l bet. 295 00:29:26,985 --> 00:29:28,976 (cheering) 296 00:29:31,705 --> 00:29:35,950 - Thank you, man, for letting me do this. - Oh, shit. Are you kidding? 297 00:29:35,185 --> 00:29:37,574 Are you kidding? 298 00:29:38,625 --> 00:29:42,937 l'd just like to say before l start that it's one of the pleasures of my life 299 00:29:43,250 --> 00:29:46,256 to be able to be on the stage with these people tonight. 300 00:29:50,225 --> 00:29:52,216 (' ''Helpless'') 301 00:30:04,505 --> 00:30:06,496 They got it now, Robbie. 302 00:30:40,745 --> 00:30:45,296 ' There is a town in north Ontario 303 00:30:48,465 --> 00:30:52,822 ' With dream-comfort memories to spare 304 00:30:56,665 --> 00:31:01,739 ' ln my mind l still need a place to go 305 00:31:04,785 --> 00:31:09,222 ' All my changes were there 306 00:31:12,865 --> 00:31:18,178 ' Blue, blue windows behind the stars 307 00:31:20,985 --> 00:31:26,130 ' Yellow moon on the rise 308 00:31:28,665 --> 00:31:33,944 ' The big birds flying across the sky 309 00:31:36,825 --> 00:31:42,661 ' They were throwing shadows on our eyes 310 00:31:43,145 --> 00:31:45,181 ' Leave us 311 00:31:45,265 --> 00:31:49,702 ' Helpless, helpless, helpless 312 00:31:49,785 --> 00:31:52,424 ' You make me feel so helpless 313 00:31:53,650 --> 00:31:57,502 ' Well, baby, can you hear me now? 314 00:31:57,585 --> 00:31:59,621 ' l can hear you now 315 00:32:00,465 --> 00:32:05,334 ' The chains are locked and tied across my door 316 00:32:09,145 --> 00:32:14,940 ' But, baby, baby, sing with me somehow 317 00:32:49,705 --> 00:32:54,984 ' Blue, blue windows behind the stars 318 00:32:57,585 --> 00:33:02,340 ' Yellow moon on the rise 319 00:33:05,705 --> 00:33:10,984 ' The big birds flying across the sky 320 00:33:13,665 --> 00:33:18,978 ' They're throwing shadows on our eyes 321 00:33:20,250 --> 00:33:21,936 ' Leave us 322 00:33:22,250 --> 00:33:26,735 ' Helpless, helpless, helpless 323 00:33:30,345 --> 00:33:34,782 ' Helpless, helpless, helpless 324 00:33:38,505 --> 00:33:42,703 ' Helpless, helpless, helpless 325 00:33:42,785 --> 00:33:45,777 ' Baby, can you hear me now? 326 00:33:46,625 --> 00:33:51,141 ' Helpless, helpless, helpless 327 00:33:54,665 --> 00:33:59,375 ' Helpless, helpless, helpless 328 00:34:02,665 --> 00:34:07,102 ' Helpless, helpless, helpless 329 00:34:07,625 --> 00:34:10,378 ' Chains are locked and tied 330 00:34:10,465 --> 00:34:14,219 ' Helpless, helpless, helpless 331 00:34:14,305 --> 00:34:18,344 ' Baby, baby, baby, sing with me somehow 332 00:34:18,425 --> 00:34:22,134 - ' Helpless, helpless, helpless - ' With me somehow 333 00:34:26,305 --> 00:34:32,744 ' Helpless, helpless, helpless 334 00:34:33,385 --> 00:34:35,376 (cheering) 335 00:34:42,305 --> 00:34:44,296 (Robertson) Neil Young! 336 00:34:48,250 --> 00:34:52,640 l don't know what it is. Maybe the years connect or it's coincidence, 337 00:34:52,145 --> 00:34:54,534 but it seems like that's it. 338 00:34:54,625 --> 00:34:56,616 That's what The Last Waltz is. 339 00:34:56,705 --> 00:35:00,664 l mean, 16 years on the road. The numbers start to scare you. 340 00:35:01,865 --> 00:35:04,698 l couldn't live with 20 years on the road. 341 00:35:04,785 --> 00:35:06,821 l don't think l could even discuss it. 342 00:35:10,465 --> 00:35:12,456 (' ''Stage Fright'') 343 00:35:41,825 --> 00:35:44,703 ' Now deep in the heart of a lonely kid 344 00:35:45,625 --> 00:35:48,423 ' Who suffered so much for what he did 345 00:35:49,505 --> 00:35:52,497 ' They gave this poor boy his fortune and fame 346 00:35:53,345 --> 00:35:56,542 ' Since that day he ain't been the same 347 00:35:57,945 --> 00:36:00,505 ' See the man with the stage fright 348 00:36:01,465 --> 00:36:04,537 ' Just standing up there to give it all his might 349 00:36:05,705 --> 00:36:08,299 ' He got caught in the spotlight 350 00:36:09,705 --> 00:36:11,696 ' But when we get to the end 351 00:36:11,825 --> 00:36:13,816 ' He wants to start all over again 352 00:36:17,505 --> 00:36:20,417 ' l've got firewater right on my breath 353 00:36:21,505 --> 00:36:24,383 ' And the doctor warned me l might catch a death 354 00:36:25,305 --> 00:36:28,502 ' He said ''You can make it in your disguise'' 355 00:36:29,345 --> 00:36:32,143 ' ''Just never show the fear in your eyes'' 356 00:36:33,785 --> 00:36:36,219 ' See the man with the stage fright 357 00:36:37,265 --> 00:36:40,416 ' Just standing up there to give it all his might 358 00:36:41,545 --> 00:36:44,130 ' He got caught in the spotlight 359 00:36:45,585 --> 00:36:47,576 ' But when we get to the end 360 00:36:47,665 --> 00:36:49,781 ' He wants to start all over again 361 00:36:51,305 --> 00:36:54,138 ' Now when he says that he's afraid 362 00:36:55,265 --> 00:36:57,540 ' Won't you take him at his word? 363 00:36:59,265 --> 00:37:02,630 ' And for the price that the poor boy has paid 364 00:37:03,225 --> 00:37:05,295 ' Well, he gets to sing just like a bird 365 00:37:05,385 --> 00:37:07,660 ' Oooh oooh oooh-oooh 366 00:37:27,265 --> 00:37:30,143 ' My brow is sweating and my mouth gets dry 367 00:37:31,305 --> 00:37:33,819 ' The fancy people go drifting by 368 00:37:35,265 --> 00:37:38,302 ' Well, the moment of truth is right at hand 369 00:37:39,250 --> 00:37:42,495 ' Just one more nightmare you can stand 370 00:37:43,425 --> 00:37:46,144 ' See the man with the stage fright 371 00:37:47,650 --> 00:37:50,102 ' Just standing up there to give it all his might 372 00:37:51,650 --> 00:37:53,738 ' And he got caught in the spotlight 373 00:37:55,385 --> 00:37:56,898 ' But when we get to the end 374 00:37:56,985 --> 00:38:00,500 ' Well, he wants to start all over again, no, no, no 375 00:38:01,225 --> 00:38:03,216 ' That's right, make him start 376 00:38:04,985 --> 00:38:06,976 ' Just let him take it from the top 377 00:38:44,225 --> 00:38:46,216 (cheering) 378 00:38:55,705 --> 00:38:58,663 Well, we were The Hawks. 379 00:38:59,785 --> 00:39:02,150 Everything was fine. We were sailing along. 380 00:39:02,105 --> 00:39:06,144 And all of a sudden, one day, The Hawks meant something else altogether. 381 00:39:06,945 --> 00:39:10,221 lt was right in the middle of that whole psychedelia. 382 00:39:12,185 --> 00:39:18,658 ''Chocolate Subway''. ''Marshmallow Overcoat''. Those kind of names. 383 00:39:18,985 --> 00:39:22,864 When we were working with Bob Dylan and we moved to Woodstock, 384 00:39:24,385 --> 00:39:26,501 everybody referred to us as The Band. 385 00:39:26,585 --> 00:39:31,261 He called us The Band. Our friends and neighbours called us The Band. 386 00:39:31,705 --> 00:39:33,935 And we started out with The Crackers. 387 00:39:36,265 --> 00:39:38,460 We tried to call ourselves The Honkies. 388 00:39:41,185 --> 00:39:44,336 Everybody kind of backed off from that, you know? 389 00:39:45,945 --> 00:39:48,334 lt was too straight. 390 00:39:51,265 --> 00:39:56,658 So we decided just to call ourselves The Band. 391 00:39:57,905 --> 00:39:59,896 (' ''The Weight'') 392 00:40:09,625 --> 00:40:14,699 ' l pulled into Nazareth just feeling 'bout half-past dead 393 00:40:16,650 --> 00:40:20,980 ' Just need to find a place where l can lay my head 394 00:40:22,265 --> 00:40:27,100 ' ''Mister, can you tell me where a man might find a bed?'' 395 00:40:28,265 --> 00:40:30,904 ' He just grinned and shook my hand 396 00:40:30,985 --> 00:40:33,180 ' ''No!'' was all he said 397 00:40:34,705 --> 00:40:36,775 ' Take a load off Fanny 398 00:40:37,905 --> 00:40:39,896 ' Take a load for free 399 00:40:40,985 --> 00:40:42,976 ' Take a load off Fanny 400 00:40:44,625 --> 00:40:46,616 ' And... 401 00:40:46,705 --> 00:40:49,777 ' You put the load right on me 402 00:40:55,985 --> 00:41:00,775 ' l picked up my bag and went looking for a place to hide 403 00:41:01,745 --> 00:41:06,819 ' When l saw old Carmen and the Devil walking side by side 404 00:41:08,185 --> 00:41:13,179 ' l said ''Hey, Carmen, come on, let's go downtown'' 405 00:41:14,305 --> 00:41:19,140 ' She said ''l gotta go but my friend can stick around'' 406 00:41:20,345 --> 00:41:22,575 ' Take a load off Fanny 407 00:41:23,625 --> 00:41:25,741 ' Take a load for free 408 00:41:26,625 --> 00:41:28,934 ' Take a load off Fanny 409 00:41:30,345 --> 00:41:32,336 ' And... 410 00:41:32,585 --> 00:41:35,418 ' You put the load right on me 411 00:41:41,985 --> 00:41:46,297 ' Go down, Moses, there's nothin' that you can say 412 00:41:47,745 --> 00:41:52,739 ' lt's just old Luke and Luke is waiting on the Judgment Day 413 00:41:53,865 --> 00:41:58,575 ' ''Hey, Luke, my friend, what about young Anna Lee?'' 414 00:41:59,785 --> 00:42:01,901 ' He said ''Do me a favour, son'' 415 00:42:01,985 --> 00:42:05,455 ''Won't you stay and keep Anna Lee company?'' 416 00:42:06,650 --> 00:42:08,101 ' Take a load off Fanny 417 00:42:09,145 --> 00:42:11,101 ' Take a load for free 418 00:42:12,265 --> 00:42:14,415 ' Take a load off Fanny 419 00:42:15,785 --> 00:42:18,150 ' And... 420 00:42:18,105 --> 00:42:20,938 ' You put the load right on me 421 00:42:27,650 --> 00:42:31,456 ' Crazy Chester followed me and he caught me in the fog 422 00:42:32,985 --> 00:42:38,105 ' He said ''l will fix your rack if you take old Jack, my dog'' 423 00:42:39,250 --> 00:42:43,780 ' l said ''Wait a minute, Chester, you know l'm a peaceful man'' 424 00:42:44,985 --> 00:42:50,696 ' He said ''That's OK, boy, won't you feed him whenever you can'' 425 00:42:51,425 --> 00:42:53,575 ' Take a load off Fanny 426 00:42:54,585 --> 00:42:56,257 ' Take a load for free 427 00:42:57,465 --> 00:42:59,979 ' Take a load off Fanny 428 00:43:01,185 --> 00:43:03,301 ' And... 429 00:43:03,385 --> 00:43:06,263 ' You put the load right on me 430 00:43:18,985 --> 00:43:23,376 ' Catch a cannonball now to take me on down the line 431 00:43:24,825 --> 00:43:29,979 ' My bag is sinking low and l do believe that it's time 432 00:43:30,745 --> 00:43:35,580 ' To get back to Miss Fanny, you know she's the only one 433 00:43:36,865 --> 00:43:41,780 ' She sent me here with regards for everyone 434 00:43:43,650 --> 00:43:45,260 ' Take a load off Fanny 435 00:43:46,185 --> 00:43:47,903 ' Take a load for free 436 00:43:49,185 --> 00:43:51,858 ' Take a load off Fanny 437 00:43:52,705 --> 00:43:57,540 ' And you put the load right on me 438 00:44:02,825 --> 00:44:06,534 ' Oh, Fanny, take a load off Fanny 439 00:44:09,305 --> 00:44:16,859 ' Ohhh 440 00:44:18,785 --> 00:44:20,662 (whispers) Beautiful! 441 00:44:24,250 --> 00:44:27,779 - (Manuel) Doesn't that need dusting? - (Danko) This looks interesting. 442 00:44:27,865 --> 00:44:30,379 We'll play ''Old-Time Religion'' for the folks. 443 00:44:44,865 --> 00:44:49,893 ' Old-time religion, give me that old-time religion 444 00:44:49,985 --> 00:44:51,976 ' And it's good enough 445 00:44:52,650 --> 00:44:55,102 ' Well, it's good enough 446 00:44:55,385 --> 00:45:01,176 ' lt was good for Grandpa, good for my grandma 447 00:45:01,265 --> 00:45:02,744 ' lt's good enough 448 00:45:02,825 --> 00:45:05,464 ' Good enough, good enough now 449 00:45:22,505 --> 00:45:24,496 Oh, it's not like it used to be! 450 00:45:25,945 --> 00:45:28,140 (' ''The Night They Drove Old Dixie Down'') 451 00:45:38,345 --> 00:45:43,783 ' Virgil Caine is the name and l served on the Danville train 452 00:45:45,585 --> 00:45:51,296 ' Till Stoneman's cavalry came and they tore up the tracks again 453 00:45:52,905 --> 00:45:59,504 ' ln the winter of '65 we were hungry, just barely alive 454 00:46:00,185 --> 00:46:03,257 ' By May the tenth Richmond had fell 455 00:46:03,345 --> 00:46:09,739 ' lt's a time l remember oh so well 456 00:46:10,345 --> 00:46:15,294 ' The night they drove old Dixie down 457 00:46:16,650 --> 00:46:18,340 ' When all the bells were ringing 458 00:46:18,425 --> 00:46:23,101 ' The night they drove old Dixie down 459 00:46:23,745 --> 00:46:25,815 ' And all the people were singing 460 00:46:25,905 --> 00:46:29,818 ' They went la la-la la la-la laaa 461 00:46:30,305 --> 00:46:33,980 ' La la-la la la-la la-la laaa 462 00:46:38,185 --> 00:46:41,655 ' Back with my wife in Tennessee 463 00:46:41,745 --> 00:46:44,703 ' When one day she called to me 464 00:46:46,345 --> 00:46:51,977 ' Said ''Virgil, quick, come and see there goes Robert E Lee!'' 465 00:46:52,945 --> 00:46:56,170 ' Now l don't mind chopping wood 466 00:46:56,625 --> 00:47:00,459 ' And l don't care if the money's no good 467 00:47:00,545 --> 00:47:03,662 ' You take what you need and you leave the rest 468 00:47:03,745 --> 00:47:11,333 ' But they should never have taken the very best 469 00:47:11,545 --> 00:47:16,494 ' The night they drove old Dixie down 470 00:47:17,265 --> 00:47:19,654 ' When all the bells were ringing 471 00:47:19,745 --> 00:47:24,296 ' The night they drove old Dixie down 472 00:47:24,945 --> 00:47:27,150 ' And all the people were singing 473 00:47:27,105 --> 00:47:30,780 ' They went la la-la la la-la laaa 474 00:47:31,665 --> 00:47:35,180 ' La la-la la la-la la-la laaa 475 00:47:42,985 --> 00:47:45,453 ' Like my father before me 476 00:47:46,305 --> 00:47:48,899 ' l will work the land 477 00:47:50,385 --> 00:47:54,140 ' And like my brother above me 478 00:47:54,105 --> 00:47:56,460 ' Who took a rebel stand 479 00:47:57,305 --> 00:48:00,661 ' He was just 18, proud and brave 480 00:48:01,265 --> 00:48:04,780 ' But a Yankee laid him in his grave 481 00:48:04,865 --> 00:48:08,380 ' And l swear by the mud below my feet 482 00:48:08,465 --> 00:48:15,576 ' You can't raise a Caine back up when he's in defeat 483 00:48:15,985 --> 00:48:20,934 ' The night they drove old Dixie down 484 00:48:21,705 --> 00:48:23,980 ' When all the bells were ringing 485 00:48:24,650 --> 00:48:28,741 ' The night they drove old Dixie down 486 00:48:29,545 --> 00:48:31,456 ' And all the people were singing 487 00:48:31,545 --> 00:48:35,458 ' They went la la-la la la-la laaa 488 00:48:35,945 --> 00:48:39,620 ' La la-la la la-la la-la laaa 489 00:48:47,545 --> 00:48:52,494 ' The night they drove old Dixie down, down 490 00:48:53,265 --> 00:48:55,176 ' The bells were ringing 491 00:48:55,265 --> 00:48:59,816 ' The night they drove old Dixie down 492 00:49:00,585 --> 00:49:02,576 ' And all the people were singing 493 00:49:02,665 --> 00:49:06,658 ' They went la la-la la la-la laaa 494 00:49:07,650 --> 00:49:10,501 ' La la-la la la-la la-la laaa 495 00:49:21,785 --> 00:49:23,776 (cheering) 496 00:49:30,705 --> 00:49:33,378 A dream come true. 497 00:49:33,465 --> 00:49:35,456 Fascinating. Scary. 498 00:49:37,705 --> 00:49:40,663 Kind of hard to take the first time. 499 00:49:40,745 --> 00:49:46,240 You have to go there about two or three times before you can fall in love with it. 500 00:49:46,105 --> 00:49:48,960 But that happens eventually. 501 00:49:49,250 --> 00:49:53,640 We stayed at the Times Square Hotel on 42nd Street. 502 00:49:53,625 --> 00:49:55,502 The title of the hotel, 503 00:49:55,585 --> 00:49:59,897 it sounded like it was conveniently located in midtown Manhattan. 504 00:49:59,985 --> 00:50:04,342 What did we know? We came out of the hotel after checking in, 505 00:50:04,425 --> 00:50:07,640 and you think ''lt's great to be back in New York.'' 506 00:50:07,145 --> 00:50:09,659 Movie theatres for ever. 507 00:50:09,745 --> 00:50:13,863 All these friendly women walking up and down the street. 508 00:50:14,225 --> 00:50:16,864 lt was... lt was great. 509 00:50:16,945 --> 00:50:20,824 Yeah, New York, it was an adult portion. lt was an adult dose. 510 00:50:22,105 --> 00:50:26,337 So it took a couple of trips to get into it. 511 00:50:27,265 --> 00:50:31,383 You just go in the first time and you get your ass kicked and you take off. 512 00:50:31,465 --> 00:50:36,380 As soon as it heals up, you come back and you try it again. 513 00:50:36,465 --> 00:50:39,263 Eventually, you fall right in love with it. 514 00:50:40,665 --> 00:50:46,615 Roulette Records was in the middle of this mythical place, Tin Pan Alley. 515 00:50:46,705 --> 00:50:49,140 The songwriting capital of the world. 516 00:50:49,105 --> 00:50:52,142 And we met some of the greatest songwriters ever. 517 00:50:52,225 --> 00:50:57,174 Rock-and-roll songwriters. Doc Pomus. Mort Shuman. Lieber and Stoller. 518 00:50:57,265 --> 00:51:00,180 They were all then. Carole King. Neil Diamond. 519 00:51:00,505 --> 00:51:06,216 At the time it wasn't fair that a songwriter was the low man on the totem pole. 520 00:51:06,305 --> 00:51:09,342 But then, these people... 521 00:51:09,425 --> 00:51:11,416 And here come the '60s, 522 00:51:11,505 --> 00:51:15,134 with change and revolution and war and assassinations, 523 00:51:15,225 --> 00:51:18,615 and a whole other frame of mind coming along. 524 00:51:18,705 --> 00:51:24,575 And these songwriters were expressing the feelings of people in the street. 525 00:51:24,945 --> 00:51:29,302 ln a way, it was kind of the beginning of the end of Tin Pan Alley. 526 00:51:30,225 --> 00:51:32,560 (' ''Dry Your Eyes'') 527 00:51:38,985 --> 00:51:41,374 ' Dry your eyes 528 00:51:41,465 --> 00:51:43,456 ' Take your song out 529 00:51:44,385 --> 00:51:46,899 ' lt's a newborn afternoon 530 00:51:48,665 --> 00:51:52,453 ' And if you can't recall the singer 531 00:51:53,945 --> 00:51:56,982 ' Can you still recall the tune? 532 00:52:00,545 --> 00:52:02,536 ' Dry your eyes 533 00:52:02,625 --> 00:52:04,855 ' And play it slowly 534 00:52:04,945 --> 00:52:08,415 ' Just like you're marching off to war 535 00:52:09,745 --> 00:52:13,738 ' Sing it like you always wanted 536 00:52:14,985 --> 00:52:18,136 ' Like you sung it once before 537 00:52:21,305 --> 00:52:24,695 ' And from the centre of the circle 538 00:52:26,345 --> 00:52:29,462 ' To the midst of the waiting crowd 539 00:52:30,345 --> 00:52:33,974 ' lf it ever is forgotten 540 00:52:35,185 --> 00:52:38,700 ' Sing it long and sing it loud 541 00:52:38,785 --> 00:52:41,219 ' And come dry your eyes 542 00:52:48,185 --> 00:52:52,542 ' And he taught us more about living 543 00:52:52,625 --> 00:52:55,901 ' Than we ever cared to know 544 00:52:57,105 --> 00:53:01,462 ' And we came to learn the secret 545 00:53:01,545 --> 00:53:04,935 ' And we never let it go 546 00:53:08,145 --> 00:53:11,740 ' And it was more than being holy 547 00:53:12,705 --> 00:53:15,902 ' Though it was less than being free 548 00:53:17,250 --> 00:53:21,980 ' And if you can't recall the reason 549 00:53:21,505 --> 00:53:25,293 ' Can you hear the people sing? 550 00:53:28,145 --> 00:53:32,263 ' Right through the lightning and the thunder 551 00:53:32,705 --> 00:53:35,936 ' To the dark side of the moon 552 00:53:37,650 --> 00:53:41,240 ' To that distant falling angel 553 00:53:41,585 --> 00:53:45,100 ' That descended much too soon 554 00:53:45,705 --> 00:53:47,536 ' Come dry your eyes 555 00:53:50,545 --> 00:53:52,900 ' Dry your eyes 556 00:53:53,385 --> 00:53:55,774 ' Take your song out 557 00:53:55,865 --> 00:53:58,379 ' lt's a newborn afternoon 558 00:53:59,905 --> 00:54:03,341 ' And if you can't recall the singer 559 00:54:04,785 --> 00:54:08,380 ' You can still recall the tune 560 00:54:08,465 --> 00:54:10,820 ' Come dry your eyes 561 00:54:13,105 --> 00:54:15,824 ' Come dry your eyes 562 00:54:17,985 --> 00:54:21,421 ' Dry your eyes 563 00:54:27,345 --> 00:54:29,336 (cheering) 564 00:54:29,985 --> 00:54:31,976 (Robertson) Neil Diamond! 565 00:54:32,650 --> 00:54:35,570 - (cheering and applause) - Thanks very much. 566 00:54:40,250 --> 00:54:42,664 (Scorsese) When you started playing as The Band, 567 00:54:42,745 --> 00:54:45,418 you shied away from publicity a lot. 568 00:54:45,505 --> 00:54:47,700 Talk about that a little. 569 00:54:47,785 --> 00:54:52,984 That was just part of a lifestyle that we got to love in Woodstock. 570 00:54:53,650 --> 00:54:57,855 We got to like it, you know, just being able to chop wood 571 00:54:57,945 --> 00:55:00,664 or hit your thumb with a hammer. 572 00:55:00,985 --> 00:55:06,696 We'd be concerned with fixing a tape recorder, fixing a screen door. 573 00:55:06,785 --> 00:55:09,379 Stuff like that. And getting the songs together. 574 00:55:09,705 --> 00:55:12,940 We always seemed to get a whole lot more done 575 00:55:12,185 --> 00:55:15,970 when we didn't have a lot of company around. 576 00:55:16,105 --> 00:55:18,141 We were more productive. 577 00:55:18,225 --> 00:55:22,423 And as soon as company came, of course, we'd start having fun. 578 00:55:23,825 --> 00:55:26,385 You know what happens when you have too much fun. 579 00:55:26,465 --> 00:55:28,456 (laughter) 580 00:55:29,745 --> 00:55:33,977 Something we've kind of evaded around here, but l'll ask it now. 581 00:55:34,650 --> 00:55:37,296 - What about women and the road? - l love 'em. 582 00:55:37,385 --> 00:55:40,377 That's probably why we've been on the road. 583 00:55:41,425 --> 00:55:44,815 - That's it. - Not that l don't like the music. 584 00:55:50,625 --> 00:55:53,458 l thought you weren't supposed to talk about it too much. 585 00:55:53,545 --> 00:55:56,582 - No, l guess we're not. - l thought we were supposed to... 586 00:55:56,665 --> 00:56:00,897 pan away from that sort of stuff, get into something else. 587 00:56:01,225 --> 00:56:04,376 Since the beginning, since we started playing together, 588 00:56:04,465 --> 00:56:08,458 just like we've all grown just a little bit, so have the women. 589 00:56:10,145 --> 00:56:13,262 - You know? And it's amazing. - That's right. That's good. 590 00:56:13,345 --> 00:56:15,336 l just wanna break even. 591 00:56:15,425 --> 00:56:17,416 (laughter) 592 00:56:20,665 --> 00:56:22,656 (Robertson) Joni Mitchell. Right. 593 00:56:22,745 --> 00:56:24,736 (cheering) 594 00:56:34,905 --> 00:56:36,975 (' ''Coyote'') 595 00:56:46,265 --> 00:56:48,620 ' No regrets, coyote 596 00:56:48,705 --> 00:56:51,458 ' We just come from such different sets of circumstance 597 00:56:51,545 --> 00:56:57,142 ' l'm up all night in the studios and you're up early on your ranch 598 00:56:57,225 --> 00:57:01,616 ' You'll be brushing out a brood mare's tail while the sun is ascending 599 00:57:01,705 --> 00:57:06,170 ' And l'll just be getting home with my reel-to-reel 600 00:57:06,105 --> 00:57:08,221 ' There's no comprehending 601 00:57:08,305 --> 00:57:11,854 ' Just how close to the bone and the skin and the eyes 602 00:57:11,945 --> 00:57:14,334 ' And the lips you can get 603 00:57:14,425 --> 00:57:16,985 ' And still feel so alone 604 00:57:17,650 --> 00:57:19,659 ' And still feel related 605 00:57:19,745 --> 00:57:21,701 ' Like stations in some relay 606 00:57:21,785 --> 00:57:25,221 ' You're not a hit-and-run driver, no, no 607 00:57:25,945 --> 00:57:28,150 ' Racing away 608 00:57:28,385 --> 00:57:30,421 ' You just picked up a hitcher 609 00:57:30,825 --> 00:57:35,137 ' A prisoner of the white lines on the freeway 610 00:57:45,250 --> 00:57:47,744 ' We saw a farmhouse burning down 611 00:57:47,825 --> 00:57:50,658 ' ln the middle of nowhere in the middle of the night 612 00:57:50,745 --> 00:57:53,543 ' And we rolled right past that tragedy 613 00:57:53,625 --> 00:57:56,185 ' until we pulled in to some roadhouse lights 614 00:57:56,265 --> 00:57:58,904 ' Where a local band was playing 615 00:57:58,985 --> 00:58:02,455 ' Locals were up kicking and shaking on the floor 616 00:58:02,545 --> 00:58:04,740 ' The next thing l know 617 00:58:04,825 --> 00:58:07,339 ' That coyote's at my door 618 00:58:07,425 --> 00:58:10,223 ' He pins me in the corner and he won't take ''No!'' 619 00:58:10,305 --> 00:58:15,150 ' He drags me out on the dance floor and we're dancing close and slow 620 00:58:15,105 --> 00:58:17,858 ' Now he's got a woman at home 621 00:58:17,945 --> 00:58:22,970 ' He's got another woman down the hall and he seems to want me anyway 622 00:58:22,185 --> 00:58:26,303 ' Why d'you have to get so drunk and lead me on that way? 623 00:58:27,250 --> 00:58:29,459 ' You just picked up a hitcher 624 00:58:29,545 --> 00:58:34,160 ' A prisoner of the white lines on the freeway 625 00:58:44,250 --> 00:58:46,698 ' l looked a coyote right in the face 626 00:58:46,785 --> 00:58:49,663 ' On the road to Baljennie, near my old home town 627 00:58:49,745 --> 00:58:52,464 ' He went running through the whisker wheat 628 00:58:52,705 --> 00:58:55,940 ' Chasing some prize down 629 00:58:55,185 --> 00:58:57,938 ' And a hawk was playing with him 630 00:58:58,250 --> 00:59:01,256 ' Coyote was jumping straight up and making passes 631 00:59:01,345 --> 00:59:04,980 ' He had those same eyes, just like yours 632 00:59:04,185 --> 00:59:06,415 ' under your dark glasses 633 00:59:06,505 --> 00:59:08,939 ' Privately probing the public rooms 634 00:59:09,250 --> 00:59:12,142 ' And peeking through keyholes in numbered doors 635 00:59:12,225 --> 00:59:17,253 ' Where the players lick their wounds and take their temporary lovers 636 00:59:17,345 --> 00:59:21,896 ' And their pills and powders to get them through this passion play 637 00:59:21,985 --> 00:59:23,976 ' No regrets, coyote 638 00:59:24,145 --> 00:59:26,181 ' l just get off up aways 639 00:59:26,265 --> 00:59:28,574 ' You just picked up a hitcher 640 00:59:28,665 --> 00:59:32,419 ' A prisoner of the white lines on the freeway 641 00:59:43,385 --> 00:59:45,455 ' Coyote's in the coffee shop 642 00:59:45,545 --> 00:59:48,503 ' He's staring a hole in his scrambled eggs 643 00:59:48,585 --> 00:59:53,261 ' He picks up my scent on his fingers while he's watching the waitresses' legs 644 00:59:53,345 --> 00:59:56,462 ' He's too far from the Bay of Fundy 645 00:59:56,865 --> 01:00:00,540 ' From Appaloosas and eagles and tides 646 01:00:00,625 --> 01:00:03,930 ' And the air-conditioned cubicles 647 01:00:03,185 --> 01:00:07,781 ' And the carbon ribbon rides are spelling it out so clear 648 01:00:07,865 --> 01:00:10,823 ' Either he's gonna have to stand and fight 649 01:00:10,905 --> 01:00:13,499 ' Or take off out of here 650 01:00:13,585 --> 01:00:16,338 ' l've tried to run away myself 651 01:00:16,425 --> 01:00:21,294 ' To run away and wrestle with my ego 652 01:00:22,425 --> 01:00:26,703 ' And with this flame you put here in this Eskimo 653 01:00:27,665 --> 01:00:29,656 ' ln this hitcher 654 01:00:30,465 --> 01:00:32,456 ' ln this prisoner 655 01:00:32,945 --> 01:00:35,140 ' Of the fine white lines 656 01:00:35,625 --> 01:00:38,219 ' Of the white lines 657 01:00:38,305 --> 01:00:43,538 ' On the free freeway 658 01:01:10,705 --> 01:01:13,140 (cheering) 659 01:01:17,650 --> 01:01:20,341 Levon's home town, it's near West Helena. 660 01:01:21,225 --> 01:01:24,217 One time we were there, for some reason or another, 661 01:01:24,305 --> 01:01:28,378 and we decided we were gonna look up one of the legends of that town, 662 01:01:28,465 --> 01:01:30,774 which was Sonny Boy Williamson. 663 01:01:30,865 --> 01:01:33,504 ln my opinion, he's the best harp player, 664 01:01:33,585 --> 01:01:36,782 that's like harmonica, 665 01:01:36,865 --> 01:01:40,744 blues harmonica, that l've ever heard. 666 01:01:40,825 --> 01:01:42,781 He's the big Daddy of 'em. 667 01:01:43,305 --> 01:01:47,981 And he took us to a friend of his, a woman's place, 668 01:01:48,650 --> 01:01:51,774 who served food and corn liquor. 669 01:01:51,865 --> 01:01:53,821 ln a southern booze can. 670 01:01:54,105 --> 01:01:56,414 He would sit there and he was playing for us. 671 01:01:56,505 --> 01:02:00,293 And we were getting drunk and trying to figure out where we were. 672 01:02:00,385 --> 01:02:03,218 He was spitting in a can. l thought he was dipping snuff. 673 01:02:03,305 --> 01:02:05,978 l thought he had something in his lip. 674 01:02:06,650 --> 01:02:10,183 And he kept spitting in this can and playing, and we kept getting drunker. 675 01:02:10,265 --> 01:02:14,178 Finally, l looked over in the can and l realised it was blood. 676 01:02:14,505 --> 01:02:17,497 He was getting pretty tired and pretty drunk by then. 677 01:02:17,585 --> 01:02:21,942 And we made big plans for the future and all kinds of things we were gonna do. 678 01:02:22,250 --> 01:02:24,539 And it was tremendous. A great night. 679 01:02:25,105 --> 01:02:30,990 A couple of months later, we got a letter from his manager, or whoever it was, 680 01:02:30,185 --> 01:02:32,574 saying that he had passed away. 681 01:02:33,665 --> 01:02:35,815 (' ''Mystery Train'') 682 01:02:50,465 --> 01:02:55,698 ' Train arrive 683 01:02:55,785 --> 01:02:58,504 ' 16 coaches long 684 01:03:01,145 --> 01:03:06,173 ' Train arrive, yeah 685 01:03:06,505 --> 01:03:09,258 ' 16 coaches long 686 01:03:12,185 --> 01:03:17,498 ' Well, that long, black train took my baby and gone 687 01:03:20,745 --> 01:03:25,421 ' Train, train 688 01:03:25,505 --> 01:03:28,650 ' Rolling round the bend 689 01:03:31,265 --> 01:03:36,578 ' Train, train 690 01:03:36,665 --> 01:03:38,974 ' Rolling round the bend 691 01:03:42,345 --> 01:03:47,499 ' Well, it took my baby away from me again 692 01:03:51,465 --> 01:03:55,600 ' Heard that whistle blowing, it was the middle of the night 693 01:03:55,145 --> 01:03:59,377 ' When l got down to the station the train was pulling out of sight 694 01:03:59,465 --> 01:04:03,940 ' Mystery train 695 01:04:04,505 --> 01:04:06,700 ' Rolling round the bend 696 01:04:10,105 --> 01:04:15,990 ' Mystery train 697 01:04:15,185 --> 01:04:17,460 ' Rolling round the bend 698 01:04:20,945 --> 01:04:23,823 ' Well, it took my baby 699 01:04:23,905 --> 01:04:26,550 ' Away from me again 700 01:05:13,185 --> 01:05:15,176 (cheering) 701 01:05:20,705 --> 01:05:22,696 (Robertson) Paul Butterfield! 702 01:05:27,265 --> 01:05:29,256 Near Memphis, 703 01:05:30,705 --> 01:05:33,981 cotton country, rice country, 704 01:05:34,650 --> 01:05:37,375 the most interesting thing is probably the music. 705 01:05:37,465 --> 01:05:40,218 (Scorsese) Levon, who came from around there? 706 01:05:40,305 --> 01:05:42,296 Carl Perkins. 707 01:05:44,985 --> 01:05:47,499 Muddy Waters, the king of country music. 708 01:05:48,345 --> 01:05:50,620 (Robertson) Elvis Presley. 709 01:05:50,705 --> 01:05:53,265 Johnny Cash. Bo Diddley. 710 01:05:53,345 --> 01:05:56,223 That's kind of the middle of the country back there. 711 01:05:56,305 --> 01:06:00,378 So bluegrass or country music, 712 01:06:01,585 --> 01:06:04,224 you know, if it comes down to that area 713 01:06:04,305 --> 01:06:07,695 and if it mixes there with rhythm and if it dances, 714 01:06:07,785 --> 01:06:12,461 then you've got a combination of all those different kinds of music. 715 01:06:12,545 --> 01:06:15,901 Country, bluegrass, blues music. 716 01:06:15,985 --> 01:06:18,374 - (Robertson) The melting pot. - Show music. 717 01:06:18,465 --> 01:06:21,218 - (Scorsese) And what's it called? - Rock and roll! 718 01:06:21,305 --> 01:06:23,261 (Scorsese) Yes. Exactly. 719 01:06:23,585 --> 01:06:25,462 Whoa! 720 01:06:25,545 --> 01:06:27,536 (' ''Mannish Boy'') 721 01:06:29,585 --> 01:06:31,576 ' When l was a young boy 722 01:06:33,305 --> 01:06:35,296 ' At the age of five 723 01:06:36,905 --> 01:06:38,896 ' My mother said l would be 724 01:06:40,465 --> 01:06:42,456 ' The greatest man alive 725 01:06:44,145 --> 01:06:46,136 ' But now l'm a man 726 01:06:47,905 --> 01:06:49,896 ' Way past 21 727 01:06:51,505 --> 01:06:53,496 ' l want you to believe me, woman 728 01:06:55,185 --> 01:06:57,176 ' l have lots of fun 729 01:06:58,665 --> 01:07:00,656 ' l'm a man 730 01:07:02,785 --> 01:07:04,776 ' l spell ''M'' 731 01:07:06,865 --> 01:07:08,856 ' ''A'', chile 732 01:07:10,825 --> 01:07:12,816 ' ''N'' 733 01:07:14,545 --> 01:07:16,536 ' My grandma says l'm grown 734 01:07:18,585 --> 01:07:20,576 ' No ''B'' 735 01:07:22,505 --> 01:07:24,496 ' ''O'', chile 736 01:07:26,345 --> 01:07:28,336 ' ''Y'' 737 01:07:30,105 --> 01:07:32,960 ' That mean mannish boy 738 01:07:34,250 --> 01:07:36,160 ' Man 739 01:07:37,745 --> 01:07:39,736 ' l'm a full-grown man 740 01:07:41,625 --> 01:07:43,616 ' Man 741 01:07:45,385 --> 01:07:47,376 ' l'm a natural-born lover's man 742 01:07:49,385 --> 01:07:51,376 ' Man 743 01:07:53,265 --> 01:07:55,256 ' l'm a rolling stone 744 01:07:57,305 --> 01:07:59,296 ' Man 745 01:08:01,145 --> 01:08:03,136 ' l'm a hoochie-coochie man 746 01:08:05,105 --> 01:08:07,960 ' Well 747 01:08:09,650 --> 01:08:12,230 ' Well, well, well 748 01:08:12,865 --> 01:08:14,856 ' The line l shoot 749 01:08:16,785 --> 01:08:18,776 ' l will never miss 750 01:08:20,665 --> 01:08:22,656 ' When l make love to a girl 751 01:08:24,665 --> 01:08:26,656 ' She can't resist 752 01:08:28,545 --> 01:08:30,934 ' l think l'll go down 753 01:08:32,505 --> 01:08:34,541 ' To old Kansas Stew 754 01:08:36,385 --> 01:08:38,501 ' l'm gonna bring back my second cousin 755 01:08:40,345 --> 01:08:42,336 ' That little Johnny Congeroo 756 01:08:44,265 --> 01:08:46,256 ' All you little girls 757 01:08:48,145 --> 01:08:50,136 ' Sitting out at that line 758 01:08:52,250 --> 01:08:54,160 ' l can make love to you, girl 759 01:08:55,905 --> 01:08:57,896 ' ln five minutes' time 760 01:08:59,905 --> 01:09:01,896 ' Ain't that a man? 761 01:09:03,865 --> 01:09:05,856 ' l spell ''M'' 762 01:09:08,250 --> 01:09:10,160 ' ''A'', chile 763 01:09:11,985 --> 01:09:13,976 ' ''N'' 764 01:09:15,665 --> 01:09:17,656 ' That represents man 765 01:09:19,665 --> 01:09:21,656 ' No ''B'' 766 01:09:23,625 --> 01:09:25,616 ' ''O'', chile 767 01:09:27,465 --> 01:09:29,456 ' ''Y'' 768 01:09:31,145 --> 01:09:33,136 ' That means mannish boy 769 01:09:35,265 --> 01:09:37,256 ' Man 770 01:09:38,865 --> 01:09:40,856 ' l'm a full-grown man 771 01:09:42,865 --> 01:09:44,856 ' Man 772 01:09:46,705 --> 01:09:48,696 ' l'm a natural-born lover's man 773 01:09:50,745 --> 01:09:52,736 ' Man 774 01:09:54,385 --> 01:09:56,376 ' l'm a rolling stone 775 01:09:58,425 --> 01:10:00,416 ' Man-child 776 01:10:02,305 --> 01:10:04,296 ' l'm a hoochie-coochie man 777 01:10:06,425 --> 01:10:09,223 ' Well 778 01:10:10,425 --> 01:10:13,462 ' Well, well, well, well, well, well, well 779 01:10:14,265 --> 01:10:16,574 ' Well, well, well, well, well 780 01:10:37,985 --> 01:10:39,976 (cheering) 781 01:10:40,650 --> 01:10:42,454 (Robertson) Wasn't that a man! Muddy Waters! 782 01:10:46,545 --> 01:10:48,536 On the guitar, Eric Clapton! 783 01:10:48,625 --> 01:10:50,616 (cheering) 784 01:10:58,745 --> 01:11:01,578 One, two, a-one, two, three... 785 01:11:01,665 --> 01:11:03,656 (' ''Further on up the Road'') 786 01:12:16,825 --> 01:12:18,816 ' Further on up the road 787 01:12:19,825 --> 01:12:22,544 ' Someone's gonna hurt you like you hurt me 788 01:12:23,650 --> 01:12:25,560 ' Further on up the road 789 01:12:26,105 --> 01:12:29,177 ' Someone's gonna hurt you like you hurt me 790 01:12:29,265 --> 01:12:31,256 ' Further on up the road 791 01:12:32,345 --> 01:12:34,575 ' Baby, just you wait and see 792 01:12:35,585 --> 01:12:37,701 ' You gotta reap just what you sow 793 01:12:38,665 --> 01:12:40,860 ' That old saying is true 794 01:12:41,825 --> 01:12:43,975 ' You gotta reap just what you sow 795 01:12:44,865 --> 01:12:46,856 ' That old saying is true 796 01:12:48,745 --> 01:12:50,895 ' Just like you mistreat someone 797 01:12:50,985 --> 01:12:53,210 ' Someone's gonna mistreat you 798 01:13:49,785 --> 01:13:52,253 ' Further up the road 799 01:13:52,345 --> 01:13:55,178 ' Someone's gonna hurt you like you hurt me 800 01:13:55,705 --> 01:13:57,696 ' Further on up the road 801 01:13:58,545 --> 01:14:01,218 ' Someone's gonna hurt you like you hurt me 802 01:14:01,665 --> 01:14:03,656 ' Further on up the road 803 01:14:04,665 --> 01:14:06,656 ' Baby, just you wait and see 804 01:14:07,945 --> 01:14:09,936 ' You been laughing, pretty baby 805 01:14:10,905 --> 01:14:13,550 ' Someday you're gonna be crying 806 01:14:13,985 --> 01:14:16,215 ' You been laughing, pretty baby 807 01:14:17,145 --> 01:14:19,181 ' Someday you're gonna be crying 808 01:14:20,905 --> 01:14:23,210 ' Further on up the road 809 01:14:23,385 --> 01:14:25,455 ' You'll find out l wasn't lying 810 01:15:29,665 --> 01:15:31,656 (cheering) 811 01:15:45,545 --> 01:15:49,697 OK. So, Rick, what is Shangri-La? Maybe you could give us a little tour. 812 01:15:49,785 --> 01:15:51,423 What is Shangri-La? 813 01:15:51,505 --> 01:15:56,784 lt's a club house where we get together and play. Make records. 814 01:15:58,305 --> 01:16:00,296 Yeah. 815 01:16:01,785 --> 01:16:05,141 Kind of better. lt's like an office, l guess. 816 01:16:05,225 --> 01:16:07,216 lt used to be a bordello. 817 01:16:08,505 --> 01:16:11,650 - A bordello? - You can tell by the wallpaper. 818 01:16:11,145 --> 01:16:14,137 That decadence, that softness in the barroom. 819 01:16:14,225 --> 01:16:16,739 l've heard a few funny stories, man. 820 01:16:18,465 --> 01:16:23,778 - That's why all these rooms are here. - You can't believe most of what you hear. 821 01:16:27,545 --> 01:16:33,630 This was a master-control bedroom, this is now a master-control music room. 822 01:16:33,465 --> 01:16:37,856 Let me ask you, now that The Last Waltz is over, what are you doing now? 823 01:16:41,745 --> 01:16:44,498 - Eddie, why don't you... - (' ''Sip the Wine'' intro) 824 01:16:49,185 --> 01:16:51,255 Just making music, you know? 825 01:16:51,345 --> 01:16:53,336 Oh, yeah. 826 01:16:53,985 --> 01:16:55,976 Trying to stay busy, man. 827 01:17:01,225 --> 01:17:03,216 (music grows louder) 828 01:17:05,305 --> 01:17:12,495 ' l want to lay down beside you 829 01:17:16,905 --> 01:17:23,822 ' l want to hold your body close to mine 830 01:17:27,625 --> 01:17:32,301 ' Like a grape that grows ripe... 831 01:17:32,385 --> 01:17:36,936 lt's where the music took you. Otherwise you would never go to such a situation. 832 01:17:37,250 --> 01:17:40,813 Because of the music, it took us everywhere. 833 01:17:41,625 --> 01:17:44,140 lt took us to some strange places. 834 01:17:44,985 --> 01:17:50,821 - (Scorsese) Physically and spiritually? - Physically, spiritually and psychotically. 835 01:17:53,785 --> 01:17:56,458 lt just always wasn't on the stage. 836 01:17:56,545 --> 01:18:00,220 - Even though you were on the stage. - Even though we were on the stage. 837 01:18:03,825 --> 01:18:05,816 (' ''Evangeline'') 838 01:18:13,585 --> 01:18:18,375 ' She stands on the banks of the mighty Mississippi 839 01:18:19,650 --> 01:18:22,375 ' Alone in the pale moonlight 840 01:18:23,985 --> 01:18:28,536 ' Waiting for a man, a riverboat gambler 841 01:18:28,625 --> 01:18:32,140 ' Said that he'd return tonight 842 01:18:35,585 --> 01:18:40,454 ' They used to waltz on the banks of the mighty Mississippi 843 01:18:41,650 --> 01:18:44,853 ' Loving the whole night through 844 01:18:45,505 --> 01:18:50,738 ' Till the riverboat gambler went off to make a killing 845 01:18:50,825 --> 01:18:54,579 ' And bring it on back to you 846 01:18:57,825 --> 01:19:02,740 ' Evangeline, Evangeline 847 01:19:03,225 --> 01:19:07,616 ' Curses the soul of the Mississippi Queen 848 01:19:07,705 --> 01:19:11,459 ' That pulled her man away 849 01:19:27,585 --> 01:19:31,976 ' Bayou Sam from South Louisiana 850 01:19:32,650 --> 01:19:36,580 ' Had gambling in his veins 851 01:19:37,185 --> 01:19:41,701 ' Evangeline from the Maritimes 852 01:19:41,785 --> 01:19:45,778 ' Was slowly going insane 853 01:19:49,585 --> 01:19:53,897 ' High on the top of Hickory Hill 854 01:19:53,985 --> 01:19:58,376 ' She stands in the lightning and thunder 855 01:19:59,305 --> 01:20:03,696 ' Down on the river the boat was sinking 856 01:20:04,650 --> 01:20:08,240 ' She watched that Queen go under 857 01:20:11,305 --> 01:20:16,140 ' Evangeline, Evangeline 858 01:20:16,585 --> 01:20:21,220 ' Curses the soul of the Mississippi Queen 859 01:20:21,105 --> 01:20:24,780 ' That pulled her man away 860 01:20:28,745 --> 01:20:33,739 ' Evangeline, Evangeline 861 01:20:33,825 --> 01:20:38,182 ' Curses the soul of the Mississippi Queen 862 01:20:38,265 --> 01:20:42,463 ' That pulled her man away 863 01:21:23,905 --> 01:21:25,418 (' ''Chest Fever'') 864 01:22:25,425 --> 01:22:30,897 (Robertson) Garth was one of the most amazing musicians that we knew. 865 01:22:30,985 --> 01:22:33,704 He could play better than anybody we ever heard. 866 01:22:33,785 --> 01:22:35,776 And Garth joined The Band 867 01:22:36,665 --> 01:22:42,262 if we would make him the music teacher. 868 01:22:42,745 --> 01:22:47,899 We didn't know why but we said ''Sure. l mean, we're interested anyway.'' 869 01:22:48,465 --> 01:22:54,415 And we had to pay him $10 a week each for these music lessons. 870 01:22:54,505 --> 01:22:57,990 Then l was sure it was a riff. 871 01:22:57,185 --> 01:23:00,143 But then l found out what it really was. 872 01:23:00,225 --> 01:23:04,264 lt was that, where he was coming from and his musical education, 873 01:23:04,345 --> 01:23:08,224 to tell his parents at this point that we was joining a rock-and-roll band 874 01:23:08,305 --> 01:23:10,773 would have been like pouring it down the drain. 875 01:23:10,865 --> 01:23:17,540 So he justified it to his people and his background by being a music teacher. 876 01:23:17,865 --> 01:23:21,141 There is a view that jazz is evil 877 01:23:22,505 --> 01:23:25,417 because it comes from evil people. 878 01:23:25,505 --> 01:23:31,694 But, actually, the greatest priests on 52nd Street 879 01:23:33,650 --> 01:23:37,900 and on the streets of New York City were the musicians. 880 01:23:37,985 --> 01:23:40,738 They were doing the greatest healing work. 881 01:23:41,385 --> 01:23:45,940 And they knew how to punch through music 882 01:23:45,185 --> 01:23:48,575 which would cure and make people feel good. 883 01:23:50,865 --> 01:23:52,856 (' ''Ophelia'') 884 01:24:01,825 --> 01:24:04,550 ' Boards on the window 885 01:24:04,145 --> 01:24:06,454 ' Mail by the door 886 01:24:06,545 --> 01:24:10,538 ' Why would anybody leave so quickly for? 887 01:24:10,625 --> 01:24:12,616 ' Ophelia 888 01:24:14,745 --> 01:24:16,736 ' Where have you gone? 889 01:24:21,650 --> 01:24:25,297 ' The old neighbourhood just ain't the same 890 01:24:26,305 --> 01:24:29,900 ' Nobody knows just what became 891 01:24:29,985 --> 01:24:32,374 ' Of Ophelia 892 01:24:34,665 --> 01:24:36,656 ' Where have you gone? 893 01:24:41,265 --> 01:24:45,530 ' Was it something that somebody said? 894 01:24:46,265 --> 01:24:48,984 ' Mama, you know we broke the rules 895 01:24:51,105 --> 01:24:54,575 ' Was somebody up against the law? 896 01:24:56,105 --> 01:25:00,735 ' Honey, you know that l'd die for you 897 01:25:00,825 --> 01:25:03,180 ' They got your number 898 01:25:03,265 --> 01:25:05,256 ' They're scared and running 899 01:25:05,785 --> 01:25:09,460 ' But l'm just waiting for the second coming 900 01:25:09,545 --> 01:25:11,536 ' Of Ophelia 901 01:25:13,505 --> 01:25:15,575 ' Please darken my door 902 01:25:40,465 --> 01:25:44,219 ' Was it something that somebody said? 903 01:25:45,505 --> 01:25:48,224 ' Mama, you know we broke the rules 904 01:25:50,505 --> 01:25:54,339 ' Was somebody up against the law? 905 01:25:55,425 --> 01:25:59,976 ' Oh, honey, you know that l'd die for you 906 01:26:00,265 --> 01:26:02,256 ' Ashes of laughter 907 01:26:02,785 --> 01:26:04,776 ' The ghost is clear 908 01:26:05,305 --> 01:26:08,820 ' Why do the best things always disappear? 909 01:26:08,905 --> 01:26:11,210 ' Like Ophelia 910 01:26:12,945 --> 01:26:15,539 ' Oh, please, come back home 911 01:26:47,745 --> 01:26:49,736 (cheering) 912 01:26:53,505 --> 01:26:58,898 Most of the show stuff, though, was like travelling shows, like tent shows. 913 01:26:59,545 --> 01:27:03,504 One was Walcott's Rabbit Foot Minstrels. 914 01:27:03,585 --> 01:27:08,136 - (Scorsese) What was that? - Walcott's Rabbit Foot Minstrels. Yeah. 915 01:27:10,650 --> 01:27:13,899 They used to have the show start, right? 916 01:27:14,505 --> 01:27:19,181 They'd have the singers and the players and the different parts of the show. 917 01:27:19,265 --> 01:27:22,940 Then the master of ceremonies would come out just before the finale 918 01:27:23,250 --> 01:27:28,543 and explain that, after the kids go home, they'd have the midnight ramble. 919 01:27:29,185 --> 01:27:32,177 - (Scorsese) The midnight...? - The midnight ramble. 920 01:27:32,265 --> 01:27:37,578 The songs would get a little bit juicier and the jokes'd get a little funnier. 921 01:27:37,665 --> 01:27:42,102 And the prettiest dancer would really get down and shake it a few times. 922 01:27:42,185 --> 01:27:48,943 A lot of the rock-and-roll duck walks and steps and moves came from a lot of that. 923 01:27:49,250 --> 01:27:54,179 Everybody did it and so, when you would see Elvis Presley or Jerry Lee Lewis 924 01:27:54,265 --> 01:27:57,814 or Chuck Berry or Bo Diddley really shaking it up, 925 01:27:57,905 --> 01:28:00,817 it didn't come out of nowhere, lt didn't come out of the air. 926 01:28:00,905 --> 01:28:04,136 lt was like the local entertainment everybody was going to see. 927 01:28:04,225 --> 01:28:06,898 So when they exposed it to the rest of the world, 928 01:28:06,985 --> 01:28:10,216 it was like this unknown beast that had come out, 929 01:28:10,305 --> 01:28:14,776 the grotesque of music that the devil had sent, you know? 930 01:28:21,345 --> 01:28:23,415 Here we go. 931 01:28:23,505 --> 01:28:25,416 (' ''Caravan'') 932 01:28:25,505 --> 01:28:29,200 ' And the caravan is on its way 933 01:28:30,785 --> 01:28:34,698 ' l can hear the merry gypsies play 934 01:28:35,465 --> 01:28:38,935 ' Mama, Mama, look at Emma Rose 935 01:28:41,465 --> 01:28:44,696 ' She's a-playing with the radio 936 01:28:46,345 --> 01:28:50,736 ' La la la-la la-la la 937 01:28:51,825 --> 01:28:56,216 ' La la la-la la-la la 938 01:28:58,105 --> 01:29:00,619 ' And the caravan is painted red and white 939 01:29:03,225 --> 01:29:06,137 ' That means everybody's staying overnight 940 01:29:07,585 --> 01:29:12,420 ' And the barefoot gypsy boy round the campfire sing and play 941 01:29:13,985 --> 01:29:17,694 ' And a woman tells us of her ways 942 01:29:18,705 --> 01:29:23,176 ' La la la-la la-la la 943 01:29:24,305 --> 01:29:28,378 ' La la la-la la-la la 944 01:29:28,465 --> 01:29:30,695 ' Da da da-da da 945 01:29:30,785 --> 01:29:33,902 ' Turn up your radio 946 01:29:36,185 --> 01:29:41,384 ' And let me, let me, let me hear the song 947 01:29:42,250 --> 01:29:43,777 ' Switch on your electric light 948 01:29:46,905 --> 01:29:49,817 ' Now we can get down to what's really wrong 949 01:29:52,225 --> 01:29:56,264 ' l long just to hold you in my arms 950 01:29:57,945 --> 01:30:01,301 ' So that l can, l can feel you 951 01:30:03,305 --> 01:30:06,581 ' Sweet lady of the night 952 01:30:08,825 --> 01:30:10,941 ' l shall reveal you 953 01:30:11,865 --> 01:30:13,423 ' Turn it up 954 01:30:13,705 --> 01:30:15,240 ' Turn it up 955 01:30:15,105 --> 01:30:16,333 ' Turn it up 956 01:30:16,425 --> 01:30:17,904 ' Little bit higher 957 01:30:17,985 --> 01:30:18,974 ' Radio 958 01:30:19,385 --> 01:30:20,534 ' Turn it up 959 01:30:20,625 --> 01:30:21,978 ' That's enough 960 01:30:22,650 --> 01:30:24,579 ' So you know it's got soul 961 01:30:24,665 --> 01:30:29,136 ' La la la-la la-la la 962 01:30:30,265 --> 01:30:34,577 ' La la la-la la-la la 963 01:30:37,665 --> 01:30:39,656 ' Turn up your radio 964 01:30:42,225 --> 01:30:46,901 ' And let me, let me, let me, let me hear the song 965 01:30:48,945 --> 01:30:50,936 ' Switch on your electric light 966 01:30:53,465 --> 01:30:58,175 ' Then we can get down to what's really wrong, really wrong, really wrong 967 01:30:58,825 --> 01:31:02,613 ' l long just to hold you in my arms 968 01:31:04,465 --> 01:31:08,299 ' So that l can, l can feel you 969 01:31:10,225 --> 01:31:14,138 ' Sweet lady of the night 970 01:31:15,425 --> 01:31:17,780 ' l shall reveal you 971 01:31:19,250 --> 01:31:20,140 ' Turn it up 972 01:31:20,785 --> 01:31:21,774 ' Turn it up 973 01:31:22,105 --> 01:31:23,424 ' Turn it up 974 01:31:23,505 --> 01:31:24,984 ' Little bit higher 975 01:31:25,650 --> 01:31:26,134 ' Radio 976 01:31:26,465 --> 01:31:27,659 ' Turn it up 977 01:31:27,745 --> 01:31:28,973 ' That's enough 978 01:31:29,650 --> 01:31:30,200 ' So you know 979 01:31:30,705 --> 01:31:32,696 ' lt's got soul 980 01:31:32,785 --> 01:31:34,776 ' So you know 981 01:31:36,265 --> 01:31:37,300 ' So you know it's got 982 01:31:38,305 --> 01:31:40,296 ' Soul, baby 983 01:31:47,545 --> 01:31:49,854 ' So you know it's got 984 01:31:49,945 --> 01:31:50,934 ' Yeah 985 01:31:53,345 --> 01:31:57,543 ' Zi boo ba boogie, zi boo ba boogie, zi boo ba boogie 986 01:31:58,705 --> 01:32:00,741 ' So you know it's got soul 987 01:32:04,385 --> 01:32:06,660 ' So you know it's got nothin' but soul 988 01:32:09,945 --> 01:32:10,934 ' Turn it up now 989 01:32:12,265 --> 01:32:14,256 ' Yeah, yeah, yeah 990 01:32:15,745 --> 01:32:17,736 ' One more time 991 01:32:21,385 --> 01:32:23,376 ' Do that one more time 992 01:32:24,985 --> 01:32:26,976 ' So you know 993 01:32:29,945 --> 01:32:31,936 ' Do that one more time 994 01:32:35,785 --> 01:32:37,776 ' Do that one more time 995 01:32:38,905 --> 01:32:39,894 ' One more 996 01:32:41,345 --> 01:32:43,336 ' Do that one more time 997 01:32:47,145 --> 01:32:49,261 ' Do that one more time 998 01:32:49,345 --> 01:32:51,336 Thank you. 999 01:33:04,865 --> 01:33:06,856 Hey, Van the Man! 1000 01:33:06,945 --> 01:33:08,936 (cheering) 1001 01:33:12,425 --> 01:33:14,416 Lawrence Ferlinghetti! 1002 01:33:14,505 --> 01:33:16,496 (cheering) 1003 01:33:30,145 --> 01:33:32,136 Let us pray. 1004 01:33:33,585 --> 01:33:37,294 Our Father, whose art's in heaven 1005 01:33:38,385 --> 01:33:43,698 Hollow by thy name - unless things change. 1006 01:33:44,385 --> 01:33:47,580 Thy wigdom come and gone. 1007 01:33:47,145 --> 01:33:49,864 Thy will, will be undone 1008 01:33:50,505 --> 01:33:53,736 on earth, as it isn't heaven. 1009 01:33:55,650 --> 01:33:57,784 Give us this day our daily dread, 1010 01:33:57,865 --> 01:33:59,856 at least three times a day. 1011 01:34:01,505 --> 01:34:07,102 And forgive us our trespasses on love's territory. 1012 01:34:07,185 --> 01:34:10,382 For thine is the wigdom and power and glory... 1013 01:34:10,465 --> 01:34:12,456 Oh, man! 1014 01:34:12,545 --> 01:34:14,536 (cheering) 1015 01:34:25,425 --> 01:34:27,416 (' ''Forever Young'') 1016 01:34:47,865 --> 01:34:51,175 ' May God bless and keep you always 1017 01:34:53,225 --> 01:34:55,216 ' May your wishes all come true 1018 01:34:57,250 --> 01:34:59,380 ' May you always do for others 1019 01:35:00,905 --> 01:35:03,863 ' And let others do for you 1020 01:35:12,250 --> 01:35:16,980 ' May you build a ladder to the stars 1021 01:35:16,705 --> 01:35:19,600 ' Climb on every rung 1022 01:35:19,505 --> 01:35:21,496 ' And may you stay 1023 01:35:27,105 --> 01:35:30,170 ' Forever young 1024 01:35:35,745 --> 01:35:41,536 ' Forever young 1025 01:35:42,905 --> 01:35:48,104 ' Forever young 1026 01:35:51,185 --> 01:35:56,782 ' May you stay 1027 01:35:58,250 --> 01:36:01,620 ' Forever young 1028 01:36:48,465 --> 01:36:50,456 ' May your hands always be busy 1029 01:36:51,785 --> 01:36:53,776 ' May your feet always be swift 1030 01:36:55,385 --> 01:37:00,584 ' May you have a strong foundation when the winds of changes shift 1031 01:37:07,105 --> 01:37:09,573 ' May your heart always be joyful 1032 01:37:10,665 --> 01:37:12,974 ' May your song always be sung 1033 01:37:14,105 --> 01:37:18,781 ' And may you stay 1034 01:37:20,265 --> 01:37:22,381 ' Forever young 1035 01:37:27,505 --> 01:37:31,976 ' Forever young 1036 01:37:34,225 --> 01:37:36,659 ' Forever young 1037 01:37:41,425 --> 01:37:46,624 ' May you stay 1038 01:37:47,785 --> 01:37:50,253 ' Forever young 1039 01:38:45,145 --> 01:38:47,136 (' ''Baby, Let Me Follow You Down'') 1040 01:39:19,345 --> 01:39:21,336 ' Can l come home with you? 1041 01:39:22,625 --> 01:39:24,616 ' Baby, can l come home with you? 1042 01:39:25,785 --> 01:39:29,141 ' Well, l'll do anything in this god-almighty world 1043 01:39:29,225 --> 01:39:31,580 ' lf you'll just let me come home with you 1044 01:39:51,825 --> 01:39:53,941 ' Baby, let me follow you down 1045 01:39:55,265 --> 01:39:57,415 ' Baby, let me follow you down 1046 01:39:57,985 --> 01:40:01,500 ' Well, l'll do anything in this god-almighty world 1047 01:40:01,585 --> 01:40:03,940 ' lf you'll just let me follow you down 1048 01:40:30,305 --> 01:40:32,375 ' l'll buy you a diamond ring 1049 01:40:33,705 --> 01:40:35,980 ' l'll buy you a wedding gown 1050 01:40:36,865 --> 01:40:39,982 ' Well, l'll do anything in this god-almighty world 1051 01:40:40,650 --> 01:40:42,295 ' lf you'll just let me follow you down 1052 01:41:24,985 --> 01:41:26,976 - (cheering) - Thank you. 1053 01:42:06,745 --> 01:42:10,294 We got Ringo and Ronnie Wood gonna help us out on this one, too. 1054 01:42:17,145 --> 01:42:19,136 (' ''l Shall Be Released'') 1055 01:42:21,545 --> 01:42:25,458 ' They say everything can be replaced 1056 01:42:29,705 --> 01:42:32,856 ' They say every distance is not near 1057 01:42:37,505 --> 01:42:41,384 ' So l remember every face 1058 01:42:45,225 --> 01:42:48,297 ' Of every man who put me here 1059 01:42:52,505 --> 01:42:57,454 ' l see my light come shining 1060 01:43:00,585 --> 01:43:04,624 ' From the west down to the east 1061 01:43:08,225 --> 01:43:10,978 ' Any day now 1062 01:43:12,185 --> 01:43:14,745 ' Any day now 1063 01:43:16,250 --> 01:43:20,223 ' l shall be released 1064 01:43:24,145 --> 01:43:27,694 ' They say every man needs protection 1065 01:43:31,105 --> 01:43:35,180 ' They say that every man must fall 1066 01:43:38,865 --> 01:43:42,460 ' But l swear l see my reflection 1067 01:43:46,145 --> 01:43:50,502 ' Somewhere so high above this wall 1068 01:43:53,145 --> 01:43:58,583 ' l see my light come shining 1069 01:44:01,425 --> 01:44:05,384 ' From the west down to the east 1070 01:44:09,650 --> 01:44:11,659 ' Any day now 1071 01:44:12,905 --> 01:44:15,499 ' Any day now 1072 01:44:16,745 --> 01:44:20,738 ' l shall be released 1073 01:44:23,825 --> 01:44:27,864 ' Down here in this lonely crowd 1074 01:44:31,185 --> 01:44:35,144 ' There's a man who swears he's not to blame 1075 01:44:38,545 --> 01:44:43,414 ' All day long l hear him shouting loud 1076 01:44:46,385 --> 01:44:50,140 ' Crying out that he been framed 1077 01:44:53,385 --> 01:45:01,258 ' l see my light come shining 1078 01:45:01,345 --> 01:45:05,304 ' From the west down to the east 1079 01:45:08,785 --> 01:45:11,504 ' Any day now 1080 01:45:12,545 --> 01:45:14,934 ' Any day now 1081 01:45:16,265 --> 01:45:23,230 ' l shall be released 1082 01:45:37,945 --> 01:45:40,903 - Thank you. - Thank you very much. 1083 01:45:41,745 --> 01:45:44,782 (Robertson) The road was our school. lt gave us a sense of survival. 1084 01:45:44,865 --> 01:45:46,981 lt taught us all we know. 1085 01:45:47,650 --> 01:45:50,216 There's not much left that we can really take from the road. 1086 01:45:50,305 --> 01:45:54,218 We've had our share of... Or maybe it's just superstitious. 1087 01:45:55,465 --> 01:45:58,855 - (Scorsese) Superstitious in what way? - (Robertson) You can press your luck. 1088 01:45:58,945 --> 01:46:01,698 The road has taken a lot of the great ones. 1089 01:46:01,785 --> 01:46:06,142 Hank Williams. Buddy Holly. Otis Redding. 1090 01:46:06,465 --> 01:46:09,218 Janis. Jimi Hendrix. 1091 01:46:09,305 --> 01:46:10,943 Elvis. 1092 01:46:12,305 --> 01:46:14,341 lt's a goddamn impossible way of life. 1093 01:46:16,865 --> 01:46:19,902 - (Scorsese) lt is, isn't it? - No question about it. 1094 01:46:22,185 --> 01:46:24,176 (cheering and clapping) 1095 01:46:39,425 --> 01:46:41,256 (' ''Theme from The Last Waltz'') 1096 01:51:48,465 --> 01:51:53,983 Thewildbunch22 1097 01:52:00,625 --> 01:52:02,616 FKprod2002